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meet

The word "Eleanor" written in a cursive, light-colored font on a green and yellow abstract background.
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A woman with red hair, blue eyes, and freckles taking a selfie in a room. She's wearing a white lace top, a necklace with a pomegranate pendant, and has a multiple nose piercings. There is a door and hanging broom in the background.
Two yellow-orange orchids with red and yellow centers
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the basics

she/her/hers

queer

creator, outlaw, + magician archetypes

infp

aries sun, leo moon, capricorn rising

devotee of Persephone

Stylized text saying 'my roots' with a green and yellow abstract background

When I was 12 or 13, I walked up to my mom in our bright orangey-yellow kitchen and I said to her:

“Mama. I’m going to be a witch. It’s a real thing, it’s a religion, people actually do it, and I really hope you’ll support me.”

I was a bit terrified, honestly. I didn’t think she would take me seriously, and while we were not the most staunch of church going families, that doesn’t change that this was smack dab in the Buckle of the Bible Belt.

She responded in a way I could not have possibily imagined.

“Okay, bug. My books are over there.”

And she pointed to the shelf of books that sat in our kitchen, and when I went to look, interspersed between the cookbooks and magazines were my mothers books on Wicca, Herbalism, Folk Catholicism, and New Age Spirituality.

I felt angry at her. That she had deprived me of a childhood full of magick. But I began to realize she hadn’t; it was simply so interwoven that what I had thought was mundane was truly magick, once I had the correct perspective.

Realized the cards of hers that I loved to steal off her shelf and play with, looking at their gorgeous art, were in fact oracle and tarot cards; understood that her friend, a shopkeeper, whose store I was always keen to go to when we went into the city was, in fact, a metaphysical shop; wondered if, perhaps the almost annual girls trip she took to New Orleans was a bit more than just a “book club.”

She told me that she hadn’t brought up Wicca and Witchcraft as outright influences for the same reason we only went to church on Ash Wednesday instead of every Sunday: it was up to me to find my path, not her to place me on one.

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A close-up of a bright green Luna moth with yellow and black markings on its wings.
Close-up of a Caterpillar with lime green, black, and orange markings.

As a teenager, I went through more phases in my Craft than there are in the moon. Dianic Wiccan, Hekatean, Eclectic Wiccan, Solitary, Coven-Structured, Norse Pagan, and, of course, Fuck-It-No-Labels-Chaos Witch.

For everything that I thought I would try, I did not want to work with the Hellenic Gods.

“Been there, done that. Worked with Artemis and Hekate as a small child who totally knew what she was doing.” She says, dripping with sarcasm.

I was too obsessed with Percy Jackson; too interested in Greek myth; I grew up in the Athens of the South for the gods sake, clearly working with the Hellenic deities is an obvious cop out and not nearly enough work for me to put in.

Right?

As if.

Something about the Greek Gods that I’ve learned? When they decide you are theirs--they are not going to let you go easy.

And I am so thankful for that.

Following the Path to the Underworld has been the most dedicated and transformative iteration my Craft has ever taken, and I truly do not see an end to it.

My devotion to Persephone, and worship of other chthonic deities, has been ongoing for 5+ years now, and while that doesn’t seem like long, it feels like a lifetime, and I cannot wait for what is in store next.

A green Luna moth with yellow and black markings on its wings, flying with a small brown bird in the background.

This is not my first trial of creating magick for community.

In 2020, I stumbled into some friendships and community within the “witchstagram” sphere of the internet.

And for the first time in a long time, I actually felt connected to something I was meant to do.

As a teenage witch, I was always keen on teaching my friends about the Craft, creating little covens and doing spells for friendship and good grades, reading tarot about our relationships and watching The Craft and Practical Magic at sleepovers.

I loved to teach what I knew, and here I was presented with a community space and platform that is built on doing exactly that: talking loudly and proudly about witchcraft.

So I jumped in full force.

And I burnt myself out like a motherfucker.

I didn’t know how to be sustainable in what I was doing, I didn’t know the mundane things in my life that were about to take precedent over what my soul truly felt called to.

I no longer talk to my mother. She is not dead, but I mourn her. And I thank Persephone for her guidance in what it means to be both so close to and so separate from Mother.

I learned I have dynamic disabilities and chronic illnesses; I am still figuring out what this means, the extent of it, and how to best create sustainability for myself, but it explains a lot about the burn out I have faced in the past.

But after taking a hiatus, a katabasis, if you will, I finally felt ready to come back.

And so, I enter into anodos--Ascension from the Underworld

Just as I spoke about my roots, where I come from, I want to speak on my leaves, my flowers, my fruit; Where I am going, what I am growing, what I am building and working towards and envision for myself, and my work.

I am fortunate enough that, at the time of writing, I am embarking on a 1:1 priestess apprenticeship journey with a mentor that I have deep love and respect for. I am excited to see how this guidance aids me in refining my spiritual practices and my spiritual services

One of the first things this mentor has encouraged me in is to claim the title of “Priestess” outright—grasp it with both hands and hold ownership of it.

I am a Priestess. I am a Priestess of Persephone, of Art, of Myself, and of those that feel called to learn from and seek guidance in me.

I use the power I have as a Priestess, as a Witch, as an Artist, to facilitate growth for myself and for others; to fight against systems that would and do hold us down, hold us back; to live with art and joy as my birthrights, and to support others in doing the same.

I am here for the eldest daughters, the parentified children, the black sheep, the creatrixes, the burnt out, the rageful.

Those who are ready to burn their reality and create anew.

The phoenixes.

Those who have been forced to sleep in a chrysalis, melt completely into goo before emerging with fresh wings.

The butterflies.

Those who have been buried, by folks who did not realize they were seeds.

The flowers.

Neon sign displaying the words "my leaves" in cursive font on a green background.
Close-up of a colorful bouquet of various flowers, including pink, orange, purple, and white blossoms.
Text in green speech bubbles asking, "Would you bloom with me?"
Neon-style sign with the words "Core Values" written in cursive font.

You know how I got here. You know where I aim to go.
This is how I move through both.

Accountability

In all of these core values, I allow myself the grace to fuck up. I allow you the grace to fuck up as well. Maintaining accountability in that error and making actual concentrated effort towards righting it is eternally more important to me than being right the first time, every time.

Multitude

I have always moved through the world with a refusal to water myself down. I don’t want a “niche” as modern social media trends would require. I desire to be expansive, a lot, too much. I contain multitudes, perhaps even multitudes that seem combative or mutually exclusive, and I aim to show you that you can do all of that too.
Tale up space. Be big.

Sustainability

As I said with accountability, I acknowledge my capacity and ability to fuck up, not only as a human being, but as a privileged person living in a beautiful world, but a systemically evil society.
I also acknowledge my capacity for imperfection, not only as a human being, but as a disadvantaged, sick individual.
I aim to root myself in my imperfection. Allow myself to show up imperfectly. Embrace myself in being fully messy.
And, what’s more, I call to you to do the same with me.

Sustainability for the Earth, for myself, for you. I aim to not do any practices that cause undue harm to Mother Nature, as well as rooting myself into what is sustainable and attainable for myself as a chronically ill and disabled woman.

Imperfection

Accessibility

I do not allow myself to be convenient, but I do aim to be accessible. My practice is folk magic—this is inherently community based. Life takes a village, and I aim to be a villager. Financially, I try to maintain transparency and affordability, I aim to not hide my prices, I aim to be very easy to say no to, and I work to have my offerings available through sliding scale, scholarship, payment plans, and trade options.

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Stylized text reading "Foreparents and Peers" on a green and yellow background.

I am blessed and fortunate enough to have many friends and mentors in this path with me. Below are some of my favorite individuals; Some witches, some creatives. Some personal friends, some only distant teachers. All imperative in making me the witch I have become today.

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Liv
Let there Bee Love

Kim
Bustible

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Judy
Fruity

Bunny
The Aphrodisian Witch

Stacey
La Panthere Studio

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Angelica
S. Cresci

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Rev Roy
Healing Amulet

Myrto
Moons of Aphrodite

Alexa
The Bruja’s Tomb

Gaea
Lady

Papa Gee
Folk Magic Studio

Captolia
The Digital Witch

Veronica
Varlow

Tarte
Nouveau

Marita
Psychic Marita

Tish
Goddess & the Moon

In no particular order, this is not an exhaustive list, I cannot possibly list everyone.

For all the agreements and disagreemets I have with them and/or their stances, I am forever thankful for the contributions that these people have had on my life.